|
|
Pay It
Forward
(Rated PG-13)
By Amy Diaz
HippoPress.com
Kevin Spacey and Haley Joel Osment want to do good in Pay
It Forward, a movie that really, really wants you to like
it.
All the characters in Pay It Forward labor under a
variety of handicaps: a disfigured face, a drinking
problem, an abusive childhood, a bad dye job, etc.
Trevor's (Osment) central problem is that, in addition to
having an alcoholic mom (Helen Hunt) with a blind spot
towards her abusive boyfriend (Jon Bon Jovi), he is now
forced to slog through the hell that is middle school.
On his first day of 7th grade social studies, Trevor is
inspired by his teacher Eugene Simonet (Spacey) to change
the world. Simonet, disfigured by burn scars, knows
something about the crappy nature of the world and is
surprised when Trevor follows through on a plan to do
three good deeds for three other people. The idea behind
the plan is that those three people then pay the good
deeds forward - doing three good deeds for three people
who will then do three good deeds...Sort of a pyramid
scheme of philanthropy.
After attempting to get a homeless man on the straight
and narrow, Trevor turns his attentions to getting
Simonet hooked up with Arlene, Trevor's mom, whose
problems are alcoholism, bad childhood, scary bleached
hair and Tammy Faye-like eyes.
While the Trevor story plays out, a Los Angeles reporter
(Jay Mohr) tries to track the pay it forward movement
after a stranger gives him a car. As he follows the story
to Trevor's hometown of Las Vegas, the reporter
interviews the people who have been saved by unexpected
kindness.
Pay It Forward is very Oprah-esque in its world view -
victimization in a variety of forms intermingles with the
occasional good deed. The characters walk around like
people in varying states of psychotherapy. Spacey is the
most "in touch" guy but that doesn't mean he
can't become more "in touch" as the movie
proceeds.
The story of Trevor's family is about as depressing as
they come. While setting up an emotional rags to
spiritual riches foundation for the plot, the result of
all these societal ills is a very movie-of-the-week
melodrama. The reporter's search for the beginnings of
pay-it-forward offers an interesting storytelling
opportunity that the movie doesn't fully use and cuts
short too quickly. All this good will fails to come
across as genuine and provoked me to Al Gore-style eye
rolling and heavy sighing.
Despite the overall awfulness of Pay It Forward, Spacey
sticks out as the movie's one redeeming element. While
even the greatness of Spacey can't save this Hallmarky
mess, he gives his character some humanity beyond his
designated problems. Spacey gives the audience something
worth watching even if they've already given up on the
movie.
Though Kevin Spacey turns in his standard heavenly
performance, Pay It Forward-like all good
intentions-paves the road to movie purgatory.
Copyright © 2000 HIPPOPRESS LLC. All
rights reserved.
|
 |