Film review
Sept. 14, 2000 |
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The
Way of the Gun is a Charleton Heston wet dream By Amy Diaz
HippoPress.com
The Way of the Gun (Rated R)
Ryan Phillippe and Benicio Del Toro shoot at everything
that moves and quite a few things that don't in The Way
of the Gun, the latest movie from Christopher McQuarrie,
the screenwriter of The Usual Suspects.
Phillippe and Del Toro play drifter-criminals who decide
that kidnapping pays better than selling their semen.
Their hostage is Robin (Juliette Lewis), a young pregnant
woman. She is carrying a child for a couple who, like all
totally legitimate people, are paying her a million in
cash and assign a team of bodyguards to follow her.
Naturally, these people aren't in a position to go to the
police for help and so begins a series of plot twists
that leads to a road trip to Mexico and a stand off at a
picturesque bordello.
The Way of the Gun is a Charleton Heston wet dream -
every scene is armed with at least half a dozen big, loud
weapons. The characters are weapons as well as just about
everybody is a criminal of some kind. Everybody is a chip
in somebody else's game. The plot unfolds with a lot of
the kind of surprises viewers have come to expect in
caper movies. Clever dialog and mostly solid performances
save the movie from becoming predictable.
In fact, The Way of the Gun has almost all of the perfect
elements of a good movie. It has a good script and an
interesting story; it has intriguing characters played by
good actors (more or less) and it does a good job of
building tension and suspense. The fact that I didn't
really enjoy this movie leaves me baffled.
Despite a trailer that tries to sell The Way of the Gun
as a dark comedy, the movie doesn't have a lot of funny
(or fun) moments. The heavier, philosophical moments
didn't give the movie a soul so much as they just weighed
the story down. (At a certain point, a hit man's feelings
about life and death are kind of irrelevant. Just do the
job already and move the story along.) Phillippe's voice
over narration is at times irritating and adds to the
movie's occasional detours into self-importance. A
seemingly major deception about two thirds through the
movie isn't really explained or followed through.
The Way of the Gun's flaws aren't fatal to the story, but
add to my general sense of dissatisfaction. The Way of
the Gun lacks the spark and the superior storytelling
that made The Usual Suspects such a fun ride.
Copyright © 2000 HIPPOPRESS LLC. All
rights reserved.
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